David Begbie Biography

Born in 1955 in Edinburgh, David Begbie lives and works in London.

Since 1977, he has been investigating the possibilities offered by a one-of-a-kind medium: metal mesh, both bronze and steel. Stretched, dented, or bent, the metal eventually becomes skin. The cold structure hatches into a delicate feminine, masculine or even androgynous mortal coil. He achieves fine sculpting detail of musculature and an aesthetic completeness of human form which has even been compared to Michelangelo and particular Rodin, even though his subject is often that of the partial or truncated figure. But beyond metal, it truly is light that Begbie is modeling. When struck by its rays, the sculptures' shades start dancing along the walls, the meditative faces of the Buddhas are lit up with a gentle smile and the seraphic figures spread their wings. While this quest for enlightenment is rooted in the artist's spirituality, it truly is life and the purity of being that the artist celebrates.

david begbie ‘angel’ original sculpture

£5,680

Or

Details

Medium: copper finish steel mesh

Format: Original

Size: 40cm tall and 10cm deep

Signed: Yes

Condition: Excellent

Provenance: Original sales invoice

About this artwork: this suspended sculpture is a powerful demonstration of david’s work the human form. the addition of wings to the detailed, muscular form add another element to the artist’s work – highlighting his unique ability to create airy, transparent figures from light wire mesh that evoke the strength and substance of a classical sculptures.

(estimate includes ARR, finders fee & taxes)

David Begbie Biography

Born in 1955 in Edinburgh, David Begbie lives and works in London.

Since 1977, he has been investigating the possibilities offered by a one-of-a-kind medium: metal mesh, both bronze and steel. Stretched, dented, or bent, the metal eventually becomes skin. The cold structure hatches into a delicate feminine, masculine or even androgynous mortal coil. He achieves fine sculpting detail of musculature and an aesthetic completeness of human form which has even been compared to Michelangelo and particular Rodin, even though his subject is often that of the partial or truncated figure. But beyond metal, it truly is light that Begbie is modeling. When struck by its rays, the sculptures' shades start dancing along the walls, the meditative faces of the Buddhas are lit up with a gentle smile and the seraphic figures spread their wings. While this quest for enlightenment is rooted in the artist's spirituality, it truly is life and the purity of being that the artist celebrates.

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